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Homosexual Desire in Shakespeare's England: A Cultural Poetics

Homosexual Desire in Shakespeare's England: A Cultural Poetics

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Author: Bruce R. Smith
Publisher: University Of Chicago Press
Category: Book

List Price: $42.00
Buy Used: $8.03
You Save: $33.97 (81%)



New (1) Used (14) from $8.03

Rating: 5.0 out of 5 stars 1 reviews
Sales Rank: 2346760

Media: Hardcover
Number Of Items: 1
Pages: 344
Shipping Weight (lbs): 1.8
Dimensions (in): 9.3 x 6.3 x 1.1

ISBN: 0226763641
Dewey Decimal Number: 820.9353
EAN: 9780226763644
ASIN: 0226763641

Publication Date: July 9, 1991
Availability: Usually ships in 1-2 business days
Shipping: Expedited shipping available
Shipping: International shipping available
Condition: Cover worn, pages and spine good Unless specifically noted to the contrary, item may contain library markings; 100% of this purchase will support literacy programs through a nonprofit organization!

Also Available In:

  • Paperback - Homosexual Desire in Shakespeare's England: A Cultural Poetics

Similar Items:

  • Homosexuality in Renaissance England
  • Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England (New Historicism, Studies in Cultural Poetics, No 84) (No. 84)
  • Impersonations: The Performance of Gender in Shakespeare's England
  • Renaissance Self-Fashioning: From More to Shakespeare
  • Sodometries: Renaissance Texts, Modern Sexualities

Editorial Reviews:

Product Description
In the most comprehensive study yet of homosexuality in the English Renaissance, Bruce R. Smith examines and rejects the assessments of homosexual acts in moral philosophy, laws, and medical books in favor of a poetics of homosexual desire. Smith isolates six different "myths" from classical literature and discusses each in relation to a particular Renaissance literary genre and to a particular part of the social structure of early modern England. Smith's new Preface places his work in the context of the continuing controversies in gay, lesbian, and bisexual studies.

"The best single analysis of the homoerotic element in Renaissance English literature."—Keith Thomas, New York Review of Books

"Smith's lucid and subtle book offer[s] a poetics of homosexual desire. . . . Its scholarship, impressively broad and deftly deployed, aims to further a serious social purpose: the redemptive location of homosexual desire in history and the recuperation for our own time, through an understanding of its discursive embodiments, of that desire's changing imperatives and parameters."—Terence Hawkes, Times Literary Supplement

"The great strength of Bruce Smith's book is that it does not sidestep the complex challenge of engaging in the sexual politics of the present while attending to the resistant discourses and practices of Renaissance England. Homosexual Desire in Shakespeare's England demonstrates how a commitment to the present opens up our understanding of the past."—Peter Stallybrass, Shakespeare Quarterly

"A major contribution to the understanding of homosexuality in Renaissance England and by far the best and most comprehensive account yet offered of the homoeroticism that suffuses Renaissance literature."—Claude J. Summers, Journal of Homosexuality



Customer Reviews:

5 out of 5 stars The Best Renaissance Queering to date   November 17, 2006
 2 out of 2 found this review helpful

The idea of homosexuality occuring before there was a term for it isn't necessarily a new idea. It has been an often ignored facet of literature and history because scholars tend to want to see their heroes remain, as they might see it, unsullied. However, considering the works of the greats such as Marlowe and Shakespeare, it is difficult to ignore their homosexual leanings. Smith does more than just uncloset poets and dramatists of the Renaissance, though. He rebuilds the cultural, social, and political climate and breaks the world of Renaissance homosexuality down into 6 distinct myths or stories that embody the various forms that homosexuality took and the ideas associated with each form. The book dropped jaws when first published and remains more than a viable source for Renaissance study and Queer Theory; it is the best book of its kind to date.



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