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The Book of Murder | 
 enlarge | Author: Guillermo Martinez
Creator: Sonia Soto
Publisher: Viking Adult
Category: Book
List Price: $23.95
Buy New: $3.45
You Save: $20.50 (86%)
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Rating:  2 reviews
Sales Rank: 201496
Media: Hardcover
Number Of Items: 1
Pages: 224
Shipping Weight (lbs): 0.8
Dimensions (in): 8.3 x 5.6 x 1
ISBN: 0670019941
Dewey Decimal Number: 863.7
EAN: 9780670019946
ASIN: 0670019941
Publication Date: September 18, 2008
Availability: Usually ships in 1-2 business days
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Product Description
A gripping tale of revenge and rivalry from the author of The Oxford Murders
Argentinean author Guillermo Martinezs work appeals to fans of both literary fiction and mysteries. Now, with this new tale of psychological suspense, Martinez is poised to expand on the success of The Oxford Murders.
The narrator is an up-and-coming young writer who has little in common with Klostera literary giant whose disturbing crime novels dominate the bestseller lists. However, they have both, at one time, employed the secretarial services of the alluring Luciana B. Out of the past, Luciana makes a desperate plea to the young writer. She thinks that Kloster is slowly killing off everyone close to hercan he help before her grandmother and younger sister are murdered?
While the narrator suspects her misfortunes have driven her mad, Kloster has a powerful motive; and eerie parallels surface between the murders in Klosters books and the real-life deaths surrounding Luciana. As the body count multiplies, the question arises: Can words really kill? Fans of both Alfred Hitchcock and Carlos Ruiz Zafon will be thrilled with Martinezs literary murder mystery.
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| Customer Reviews:
 He says, she says October 24, 2008
Guillermo Martinez is one of those authors who likes to write a seemingly typical Agatha-Christiesque whodunnit, and then twist everything around.
And as he did in "The Oxford Murders," Martinez turns a seemingly ordinary tale of stalking and murder into a complex maze of smoke-and-mirrors in "The Book of Murder." Literary inspiration, madness, chance and the nature of revenge all intertwine around a bizarre series of deaths that may be tragic bad luck... or murder. If only he had ended it half so well.
Ten years ago, an Argentian writer of moderate success "borrowed" the secretary of the brilliant mystery author Kloster.
But now the woman, Luciana, turns up at his door with a bizarre and tangled tale. She says that after she inadvertently caused Kloster's wife to dump him -- which led to the death of his daughter -- he began taking revenge on her. He is systematically killing off her family and boyfriend, by a series of unrelated "accidents" over a period of many years. Now she's terrified for her grandmother and younger sister.
But the situation soon becomes complicated when Kloster gives his own account of what happened, portraying Luciana as a maddened, money-hungry opportunist, and rationally pointing out that her accusations are ludicrous. The writer is left between two similar -- yet strikingly different -- accounts, neither of which has proof. And after a fire which claims yet more victims, Kloster reveals a third -- and more sinister -- possibility...
Like Martinez's previous book "The Oxford Murders," "The Book of Murder" is a massive mind puzzle designed to throw people off the typical whodunnit trail -- there's no evidence, no proof, no easy answers. Just when you think you've figured out what's going on, Martinez suddenly twists the plot in an unexpected direction that may change everything that's come before it. He's pretty good at doing that.
In fact, the first hundred and fifty pages are devoted to the stories of Luciana and Kloster, with the occasional esoteric musings on random chance, the nature of revenge, and the power of literature. When Martinez isn't musing over coin-flips and the Biblical sevenfold revenge, he's citing Henry James, Italo Calvino, Thomas Mann and a host of other writers.
And he strikes a solid balance between the moments of strikingly evocative prose (such as the constant admiration of pretty women's necks) and the darker moments, such as Kloster recounting his nightmarish marriage and child's death. The writing reaches its creepy pinnacle when Martinez introduces a dark, vaguely supernatural twist to Kloster's tale... which is never really explored. Alas.
In fact, the ending is the weak point. Martinez has three possible explanations for the deaths.... and he just leaves it all hanging. Perhaps he wanted readers to decide for themselves what the answer is, but it feels like he wrote himself into a corner and quit before thinking up a clever twist.
The narrator is also typical Martinez -- rather passive, quiet and easily led by those around him, although his professional jealousy of Kloster gives him a bit more of an edge. The other two main characters are much more interesting. Kloster is a charismatic man who may or may not be a criminal genius, and may or may not be haunted by his own vengeful demons. And Luciana is either a woman driven to insane desperation... or just insane, period.
Aside from having a very intriguing title, "The Book of Murder" has a flimsy ending that derails an otherwise intricate, literate mystery. He said, she said.
 Good, not as good as The Oxford Murders, but good October 14, 2008
1 out of 1 found this review helpful
I waited for this book, waited wondering what Guillermo could do after The Oxford Murders (the movie is ok, but the book is better)and then it came out....well it is good, different, but not as strong. While the premise of the Oxford Murders was mathematical, here the premise is more esoteric, fatalistic, almost deterministic with the same altruistic 'it wasn't me, I was good all along and was actually helping' character development. Although he is still a master at creating suspense and has an Agatha Christie' like gift of throwing you off the trail, the denouement is far less climatic and the premise held together with staples instead of nails; it reads wobbly.
All in all, a great read which can be done quite quickly and which reserves a good amount of satisfaction for the end without making you hungry for substance in between. He may show a bit of what I call 'Perez-Reverte' syndrome, that is, great story, good development, can't write an ending for his life, in this case, Guillermo manages far better than reverte.
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