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The Writers Journey: Mythic Structure for Writers, 3rd Edition | 
 enlarge | Author: Christopher Vogler
Publisher: Michael Wiese Productions
Category: Book
List Price: $26.95
Buy New: $15.35
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Rating:  184 reviews
Sales Rank: 4886
Format: Illustrated
Media: Paperback
Edition: 3rd
Number Of Items: 1
Pages: 300
Shipping Weight (lbs): 1.5
Dimensions (in): 9 x 5.7 x 1.3
ISBN: 193290736X
Dewey Decimal Number: 808.23
EAN: 9781932907360
ASIN: 193290736X
Publication Date: November 1, 2007
Availability: Usually ships in 1-2 business days
Shipping: International shipping available
Condition: Brand new item. Over 4 million customers served. Order now. Selling online since 1995. Order with confidence. Code: B20090107232017T
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Amazon.com Review
At the beginning of The Writer's Journey, Christopher Vogler asserts that "all stories consist of a few common structural elements found universally in myths, fairy tales, dreams, and movies." Some may be hard-pressed to accept this idea (and will wonder how storytellers from Homer to Shakespeare to Robert Altman might respond to the proposition). Others may imagine that since Vogler uses movies like the Star Wars trilogy and The Lion King to defend his mythological philosophy, he is, unwittingly, listing the reasons why Hollywood films of the last 20 years have been so unimaginative. But there's no doubt that Vogler's notion, based on psychological writings by Carl Jung and the mythmaking philosophy of Joseph Campbell, has been profoundly influential. Many screenwriters have used Vogler's volume to understand why certain scenarios sell, and to discover a blueprint for creating mythic stories of their own. Now in its second edition, The Writer's Journey sets forth archetypes common in what Vogler calls "the hero's journey," the mythic structure that he claims all stories follow. In the book's first section, he lists the different kinds of typological characters who appear in stories. In the second, he discusses the stages of the journey through which the hero generally passes. The final, supplementary portion of the book explains in detail how films like Titanic and The Full Monty follow the patterns he has outlined. --Raphael Shargel
Product Description
See why this book has become an international best seller and a true classic. The Writer's Journey explores the powerful relationship between mythology and storytelling in a clear, concise style that's made it required reading for movie executives, screenwriters, playwrights, scholars, and fans of pop culture all over the world. The updated and revised third edition provides new insights and observations from Vogler's ongoing work on mythology's influence on stories, movies, and man himself.
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| Customer Reviews: Read 179 more reviews...
 Chris Vogler discusses the mythic structure of stories. November 25, 2008
Watch Video Here: http://www.amazon.com/review/R36FRK5CGTJH79 Author Christopher Vogler presents the mythic structure underlying the hero's journey in his book The Writer's Journey.
 How to Go Blind Reading Vogler September 22, 2008
2 out of 2 found this review helpful
I've read Vogler before and jumped at the new edition to read the additional chapters. Besides I've loaned my other copy out. If you actually want to read this fine book buy another edition besides THIRD because the print is the smallest I have ever seen in my life. It drives you absolutely insane. Which is why I find myself posting a review on Amazon. Content, fabulous, if I could read it.
 It was okay, but I wouldn't call it revolutionary. August 22, 2008
1 out of 1 found this review helpful
I read through most of it and found it to be much like other books that I had to purchase for graduate writing courses. I was a bit disappointed.
 Writing as a journey July 17, 2008
For beginning writers, this book could be useful. The 'journey' image is sometimes overused, but this is in part because it responds to a deep need in us. Preachers often use the image of a journey; indeed, many stories in the Bible will use the journey as part of the tale (if not the integral part of the tale). Mythological figures often have their lives and exploits told in journey images -- from times as ancient as those of Gilgamesh, through to modern times, the journey is important as a storytelling device. One can think of Gilgamesh, or Odysseus, or Aeneas in the ancient world; one can think of Moses and Martin Luther King, Jr. in search of the promised land; one can even think of Dorothy from the Wizard of Oz, seeking the Emerald City, when in fact she's looking for home.
The characters along the way in the journey also represent key elements in our lives -- dangers, strengths, things to love, to hate, to avoid, to embrace. These are archetypes. As others have noted, there are other guides to these (Campbell being perhaps the best known, and perhaps the best writer of these), but Christopher Vogler's use of these mythic structures and the journey process to help beginning writers puts the framework into an interesting and accessible guide.
This is a work with a journey of its own -- as a third edition, there are stories within the making of it. Vogler relates some of these, which include some major motion pictures experiences (one of the primary storytelling vehicles of the twentieth century) in his introduction. This has developed also in part due to critique and questions Vogler has received over time. One of those is that this is formulaic. Films, television shows, songs, poems, stories -- all of these are susceptible to being formulaic, and there is a fine line between following a form and being a slave to the formula.
This guide is practical. For those with experience writing, it can be a bit of a retreat, and, in truth, a bit simple. But for those looking to break into writing and have little experience with how to craft a story, this can be a good guide. While we are surrounded by stories in our lives, many of us don't quite know how to tell them well. Vogler's book gives insight into a process for making meaning and making sense while doing so.
Just one more map along the way (and not the best one out there). July 10, 2008
2 out of 2 found this review helpful
Based on content alone, I would have considered three stars; however, I have a hard time accepting *writing* advice from a book so badly written. I realize Mr. Vogler is a story analyst, not a writer. Still, the style here is atrocious, often to the point of distraction.
As he describes various films, he frequently jumbles his characters and his actors, creating a rambling, grammatically nightmarish style: "Recurring mentors include 'The Chief' on 'Get Smart', Will Geer and Ellen Corby as the grandparents on 'The Waltons', Alfred in 'Batman', James Earl Jones' CIA official in Patriot Games and The Hunt for Red October, etc." (For the record, I typed this sentence exactly as it appears in the book, other than my inability to italicize the Jack Ryan titles. Yes, those commas are found outside the quotation marks; yes, Mr. Jones's name is made plural possessive.) This utter disregard for parallelism can be found on nearly every page. In addition, Mr. Vogler refers to some characters only by their names ("In the film The Last of the Mohicans, Major Duncan Hayward is the rival of hero Nathaniel Poe..."); he refers to still others as only the names of the actors ("James Stewart forces Kim Novak to change her hair and clothing ..."). I was left with the feeling of a first draft, as if Mr. Vogler hadn't yet looked up the names he couldn't recall.
If you can overlook these stylistic eyesores (obviously, I have a difficult time doing so), you might find something useful in these pages. Or you might not. As demonstrated by the variety of reviews, this book's usefulness really depends on the reader.
Do you have an intermediate grasp of mythology and archetypes? You'll be bored by this. Have you read Joseph Campbell's _The Hero With A Thousand Faces_? You'll probably wonder why anyone bothered to publish this, because Mr. Vogler quotes and paraphrases Mr. Campbell to a worshipful degree. Do you write with characters in your mind first, and let them "tell you what to do" in terms of plot? You'll want to approach this book as a road you can wander from, not a roller coaster track you must stick to or die. Do you have some fully developed characters you'd love to explore, but struggle with plot? This book (as well as any study of archetypes) can help you find some signposts to guide your way. Are you entirely unschooled in archetypes and mythology but would like to learn? This book isn't the best starting place available, but I doubt it's the worst.
Before you start reading, examine your writing goals and your knowledge of archetypes to decide if this one is worthwhile for you. (Oh, and examine yourself for grammatical-OCD tendencies to decide if you can endure it.)
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