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Down the Old Plank Road: The Nashville Sessions | 
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| Artist: The Chieftains
Label: RCA Victor
Category: Music
List Price: $11.98
Buy Used: $2.00
You Save: $9.98 (83%)
New (40) Used (29) from $2.00
Rating:  29 reviews
Sales Rank: 2320
Media: Audio CD
Discs: 1
Shipping Weight (lbs): 0.2
Dimensions (in): 5.6 x 5 x 0.5
MPN: 63971
UPC: 090266397129
EAN: 0090266397129
ASIN: B00006AG7G
Release Date: September 17, 2002
Availability: Usually ships in 1-2 business days
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| Tracks:
| • | Down the Old Plank Road (w/ John Hiatt, Bela Fleck, Jeff White and Tim O'Brien) | | • | Country Blues (w/ Buddy & Julie Miller) | | • | Sally Goodin (w/ Earl Scruggs) | | • | Dark as a Dungeon (w/ Vince Gill) | | • | Cindy (w/ Kentucky Thunder & Ricky Skaggs) | | • | Molly Ban (Bawn) (w/ Alison Krauss) | | • | Don't Let Your Deal Go Down (w/ Lyle Lovett) | | • | Medley: Ladies Pantalettes; Belles of Blackville; First House in Connaught (w/ Bela Fleck) | | • | Whole Heap of Little Horses (w/ Patty Griffin) | | • | Rain and Snow (w/ The Del McCoury Band) | | • | I'll Be All Smiles Tonight (w/ Martina McBride) | | • | Tennessee Stud (w/ Jeff White) | | • | Katie Dear (w/ Gillian Welch & David Rawlings) | | • | Give the Fiddler a Dram (Finale) |
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| Editorial Reviews:
Amazon.com
Now that bluegrass is (again) momentarily cool, leave it to the Chieftains to (again) plunge an all-star country cast into the Celtic wellsprings of old-time music, just as they did 10 years ago with 1992's Another Country. It's no surprise that the Chieftains can handle the rapacious rhythms of a hot fiddle tune; whether they can go toe-to-toe with the likes of Tim O'Brien, Bela Fleck, Ricky Skaggs, and Del McCoury is another matter. Rest assured they can, and they even coax some inspired jamming from Earl Scruggs--who sounds like he has something to prove on "Sally Goodin"--and a chilling vocal from Alison Krauss on "Molly Ban," the Celtic equivalent of "Fair and Tender Maidens." The Chieftains' only miscue comes in wasting Vince Gill's talents on a busily arranged "Dark as a Dungeon." While this set will likely appeal more to fans of contemporary Irish music than to hard-core twang fans, anyone who loves acoustic roots music will find these collaborations refreshing, if not down-right bracing. --Roy Kasten
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| Customer Reviews: Read 24 more reviews...
 Roots of Bluegrass May 24, 2007
The Chieftains..BLUE GRASS?
Yep, shure 'nough is, y'all.
Well, sorta...
When people hear "Chieftains" they're thinking Irish, Gaelic..but BLUE GRASS? Actually it's not a stretch at all considering that Irish folk music played a major role in the creation of American folk music, Blue Grass (Tenessee, Kentucky)--and via Blue Grass to Country & Western. Of course other ethnic flavors are involved including Scottish & colonial British, French, Spanish & African (Gospel, Blues, Jazz.)
To offer a comparison, the soundtrack of "O, Brother, Where Art Thou?" gives a pretty good sampler of Blue Grass, & this CD does the same--but with more songs, more A-List US artists (John Hiatt, Bela Fleck, Earl Scruggs, Vince Gill, Alison Krauss, Lyle Lovetti, Paty Griffin & other greats) resulting in this more artistically cohesive CD.
So where are the Chiefains you might ask? Well, it's true they are more in the studio background than the forefront, but once you realize how effective that the background is, you can enjoy the final result.
The CD features the original musical treatment of such standards as Don't Let Your Deal Go Down, Whole Heaps of Little Horses, Tennesse Stud, and Katie Dear [A variant of Silver Dagger]
Long Black Veil
Water From the Well
Tears Of Stone
Northern Journey
Four Strong Winds
Early Morning Rain
O Brother, Where Art Thou?
The First 10 Years
Joan Baez
In Concert
Basket of Light
Great roots music!! April 17, 2006
1 out of 1 found this review helpful
What can I say that hasn't been said already? This is a great CD. The song "Rain and Snow" by the Del McCoury Band is, in my opinion, worth the purchase alone. Other highlights include: "Dark as a Dungeon" by Vince Gill, "Molly Ban" by the always wonderful Alison Krauss, and "Tennessee Stud" by Jeff White. Celtic music is so ethereal whereas bluegrass seems to ground the music and give it that extra folksy feel. The music is passionate and describes lifestyles, especially those of the Appalachians, which weren't always glamorous yet were rich in heritage and pride. Tremendous musical combination!
MATCH MADE IN HEAVEN July 30, 2005
Take the elegant, sweet vocals of Alison Krauss, and combine them with the crushing instrumental power of the Chieftains, and you have one of the greatest musical collaborations of the last 50 years. Absolutely top-to-bottom brilliance. Highly recommend to anyone who likes bluegrass, traditional folk, Celtic, oxygen, or food! A MUST OWN!
Martina McBride Is a Revelation July 23, 2005
2 out of 2 found this review helpful
Excellent, if somewhat eclectic, album, and I wish the Chieftains had been more front and center. But I find the album a consistent delight, with (and to be expected)typically first- rate performances from Gillian Welch, Alison Krauss, Earl Scruggs, Ricky Skaggs, etc. But the revelation for me was Martina McBride's "I'll Be All Smiles Tonight." Where did that come from? She could out-Rhonda Rhonda Vincent when it comes to powerful Bluegrass ballad wailing. I've never been a big McBride fan, but I'd sure be interested in more stuff like this.
 Irish Muusic and Bluegrass Is a Natural Combination March 22, 2005
There are two types of people in this world: Those who were born Irish and the rest of us who wish we were. [I fall into the latter category.] I have been nurturing a love affair with both bluegrass and Irish music for more than thirty years, and the links between the two genres have never been more evident than on this meeting of the Chieftains and some of the biggest names in bluegrass and country music, including Bela Fleck, Earl Scruggs, Ricky Skaggs, the Del McCoury Band, Alison Krauss, Tim O'Brien and Vince Gill.
Highlights include the instrumentals "Sally Goodin" and the medley of reels, along with Vince Gill's Take on the Merle Travis classic "Dark As a Dungeon" and Gillian Welch & David Rawlings mournful "Katie Dear." The album closes on a rousing note with the 10-minute romp "Give the Fiddler a Dram."
While I have to agree with my fellow reviewers who feel that the Chieftains have been relegated to session player status on this recording, this is a thoroughly satisfying album from start to finish. [Playing Time 54:30] RECOMMENDED
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